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The Technique of Orchestration (Book & CD), by Kent Wheeler Kennan
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Instruments of the orchestra are clearly described and supported by numerous musical examples and photos. "Suggested Assignments" and "Suggested Listening" lists follow each chapter helping students master and further explore subject matter. Includes updated chapter on writing score and parts with inclusion of material on computer notation and has 2 new appendices--" Synthesizers and Sampler" and "Vocal and Choral Ranges".
- Sales Rank: #89787 in Books
- Brand: Example Product Brand
- Published on: 2002-01-01
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x 1.22" w x 5.98" l, 1.68 pounds
- Binding: Hardcover
- 413 pages
- Great condition. No visible wear.
From the Publisher
As the leading text in the field since 1952, this text unites, as its three most important features, accuracy, utility and clarity demonstrated through both effective examples and commentary. As in the earlier editions, the emphasis is on the practical fundamentals of orchestration. The Fifth Edition has been expanded and revised to reflect new developments in instruments and orchestral practice.
From the Back Cover
As the leading book in the field since 1952, this book unites, as its three most important features, accuracy, utility and clarity demonstrated through both effective examples and commentary. As in the earlier editions, the emphasis is on the practical fundamentals of orchestration. The Fifth Edition has been expanded and revised to reflect new developments in instruments and orchestral practice.
About the Author
KENT KENNAN is Professor Emeritus of Music at the University of Texas at Austin, where he taught for many years. After completing his musical studies at the Eastman School of Music, he received the Prix de Rome in music. His compositions have been performed by many major orchestras, and a number have been published and recorded. He is the author of COUNTERPOINT, Fourth Edition (Prentice Hall, Inc. 1999).
DONALD GRANTHAM, D.M.A. in composition from the University of Southern California, is Professor of Music at the University of Texas at Austin. He is a winner of the Prix Lili Boulanger and the recipient of a Citation in Music from the American Academy of Arts and Letters. His works have been performed by many orchestras including Cleveland, Atlanta, Dallas, and the American Composers Orchestra.
Most helpful customer reviews
0 of 0 people found the following review helpful.
good book expecting
By DaeSoon Hwang
This is my first time to buy a orchestration book including CD. I didn't check its content but I expect this will be helpful for my study.
(one day later)
Now I overviewed the book and listened to the sound files...
I see that this book is good as a basic testbook for classical music not for contemporary.
Sound files include variations of "orchestration" such as of instrumental groups, of doublings, of dynamics, and of pitch ranges with same melodies.
Unfortunately....its sound (files) quality is not good. ..too much noise...
I think this will be a good textbook for a beginner and don't expect its sound quality.
1 of 1 people found the following review helpful.
AMAZING!!!
By PersonReviewing
I was amazed when I received this book on orchestration. It really is helpfull in understanding Instrumentation as well as the orchestra as a whole.
As a fan of short pieces for piano and strings I find that the coverage given to the string section is extreamly helpfull. Notes on double and triple stops is very valuble and extreamly helpfull.
The book is full of exerts from many famous scores, and in my opinion, assist the student working without a teacher in deciding what scores they would like to purchase and study in full.
This is a great introduction to orchestration and instrumentation, and my favorite that I use frequently.
0 of 0 people found the following review helpful.
Gives me what I need
By Starkman
A great book for refreshing and reminding, as well as filling in the gaps. As an amature composure, I get stuck on different compositional aspects, whether it's an articulation or an expression, a need for checking an instruments registers, or what have you. This is a good all-around book covering much of the basics.
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