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Twenty years ago, New York Times best-selling author Terry Brooks published the first fantasy novel ever to hit the mainstream best-seller lists. Once again he breaks new ground in Running with the Demon, convincing listeners that impossible villains and heroes actually coexist with us in our everyday world. On a very hot Fourth of July weekend, two strangers appear in Hopewell, Illinois, in the middle of a bitter steel strike. One, a Demon of the Void, will use the angry steel workers to attain his own terrible ends. The other, a Knight of the Word, dreams about a nightmarish future and spends every waking moment desperately trying to change its course. The fate of the town and, ultimately, of humanity, depends on one exceptional 14-year-old girl, the only one who can see the otherworldly creatures that have begun to invade her home town. George Wilson's narration powerfully conveys the apocalyptic magnitude of this novel of good versus evil. Mystery and suspense blend to keep the listener involved to the very last word.
- Sales Rank: #7317625 in Books
- Published on: 2008
- Format: Unabridged
- Binding: Audio CD
Most helpful customer reviews
41 of 47 people found the following review helpful.
Modern horror in a positive vein
By Ryk E. Spoor
Capsule Summary: Rating: Excellent. A "positive horror" novel which is well-written, well-paced, and clever.
The spine of the copy of Running With the Demon that I have just says "Fiction"; associations with the author's name invoke a general "fantasy" expectation. Running With the Demon could be considered "urban fantasy", but to me, it's clearly in another genre.
This is modern horror. This is Stephen King's bailiwick. I found myself thinking a LOT of King's work while reading Running With the Demon, and King suffers badly in the comparison. In this book, Brooks gets to show off a somewhat different style of writing, and demonstrate his skills depicting "regular people". The Shannara books take place in an entirely different world (albeit with the conceit that they are actually this world, after a sort of mystical apocalypse), and the Magic Kingdom books have a comedy slant which drives much of the character action.
Here Terry is writing a serious "Novel of Good and Evil", and his characters have to ring true. They have to be people we can imagine living in this world, even if underneath the world we know there is Something Else. And those who are connected to the Something Else we have to at least believe as residents of this world, as capable of hiding their presence from the mundanes.
Running With the Demon presents us with a world like our own, but one that is, unbeknownst to most people, under seige; a battleground between Good and Evil, or perhaps between Growth and Creation and Decay and Destruction. The Creator-power, God if you will, is the Word, and the destructive is the Void. Agents for each are selected, or select themselves through their choices. The "demon" of the title is a man who has become a demon, something inhuman, through his own choices. His general approach is to manipulate others to perform destructive acts. His main adversary, a Knight of the Word named John Ross, was chosen for this duty by a sort of manifestation of the Word called the Lady (with connections to imagery from Welsh history/myth and, at least in general imagery, seems related to the Arthurian cycle as well).
In a sense Running With the Demon seems to be almost a combination of two King novels, or rather two King novels as they might have been written by a better writer. This is The Stand meets Needful Things, because we have both an apocalyptic threat, a confrontation which may lead to the end of the world, and a story of small-town events, of the ways in which evil can use our own fears and desires against us -- possibly with a soupcon of "The Dead Zone", because John Ross can see visions of possible futures -- terrible futures, usually, which it is his job to prevent, but for which he has only the most cryptic of clues as to HOW to prevent them.
But Running With the Demon is BETTER than these books. The Stand, in the end, had to use a literal Deus Ex Machina, or possibly Machina ex Dei, the Hand of God, to finish off everything -- and in doing so made virtually all the efforts of the people useless except as symbolic acts (i.e., choosing good over evil). Needful Things allowed the main hero to survive, but at the expense of not merely a few other people but an entire town. Running With the Demon is at least as well WRITTEN as anything King's done -- and if you have read "Rita Hayworth and Shawshank Redemption", you should know that is high praise indeed -- but more importantly for me, it's a more optimistic book. The choices of humans -- even ordinary, non-powered, non-Chosen humans -- MATTER. Yes, evil is dangerous, and in any fight against it there will be costs, there will be sacrifices, but there can also be victory, and not just Pyrrhic victory, either.
There are indeed losses on the side of Good, and several of them are painful, but none of them are without value. This is a book that brought a tear to my eyes at a few points, and at one ultimate moment a triumphant and appreciative "YES!" for the cleverness of one part of the final resolution.
Thank you, Terry. That was a damn good read.
22 of 26 people found the following review helpful.
Different, but good
By Jeff Edwards (rmgomske@lightcom.net)
I bought this Terry Brooks novel mostly out of habit since I am such a HUGE fan of his other fantasy works. Well I wasn't sure what to expect, because I waited until it came out in paperback, and then it stayed on my shelf until after 'A Knight Of The Word' came out in paperback as well. I started to get a little low on the choices of books to read in my personal library, and didn't quite have the money to buy the newest hardback that I wanted, so I finally opened it up and gave it a shot. It WAS a little slow to start, but it just kept me interested--facinated at the premise that the story was centered in the 'real' world, and THAT to me was unique (at least in MY reading circles). Nest is immediatly likeable and a great character. I was a bit sad hearing about Grandpa in the sequel, but Nest can hold her own. It IS different from probably ANYTHING else out there in the fantasy field, and rightfully so since Brooks is NOT one to copy others. I still think his first 3 Shanarra books are his all-time best works, but these certainly are entertaining. If you are a fantasy reader mulling over the decision to pick this series up, go ahead and give it a shot, and don't give up too soon. But also, DON'T expect Shanarra, either. It is SO different from those books as to make you wonder if they are even written by the same person. Terry, if you read this, kudos to you for doing it again, and by the way, WHEN can we expect another Shanarra book...?
17 of 20 people found the following review helpful.
"Did You Sell Your Soul for So Little?"
By R. M. Fisher
Terry Brooks is best known for his "Shannara" series, which is immensely popular despite being rather obviously inspired by Tolkien's plots, characters and themes. For reasons even I can't explain, I've read quite a few of these novels (despite my distain for them) and so I can say with a fair amount of confidence that "Running with the Demon" is undoubtedly Brooks's best novel. Moving away from his fantasy subworld of dwarfs, elves, magical talismans and plucky young farmboys-cum-heroes, the only thing Brooks hangs on to is his good against evil theme, placing it in contemporary America.
Here good and evil are represented by the Word and the Void; the former benevolent and creative, and the latter destructive. The exact relationship of these two sides is only briefly touched on and as such never explored in any great detail; instead Brooks chooses to focus on one skirmish that both sides are deeply invested in: the fate of a young girl and the events that unfold over a four-day period in a small town called Hopewell, Illinois. Two representatives of the warring sides come here in the days leading up to the fourth of July; a demon who has returned in order to see a long-laid plan come to fruition, and John Ross, a Knight of the Word whose mission is to stop him. As a Knight, Ross spends his nights dreaming of the apocalyptic future that is in store for the world, roaming the wastelands and collecting information and clues of what has transpired in order for him to act in the present to prevent such horrors from ever occurring. At the centre of both their quests is a fourteen-year old girl named Nest Freemark.
Nest is a girl living a double life. On the one hand, she enjoys loving grandparents, a close knit group of friends, a comfortable home adjacent to sprawling parklands and a promising future in athletic competition. But on the other, she sees shadowy figures known as feeders who feast on human emotion, is best friends with a sylvan named Pick who acts as guardian to the park, and has internal magical gifts at her disposal. This situation is tricky enough, but she is often haunted by the fact her mother committed suicide when she was just a baby and the mystery of her completely unknown father; and her Gran (her one human confidant of the world of magic) is close-lipped about both subjects.
Brooks creates a carefully plotted thriller/fantasy that combines...well everything. A gruesome monster gradually breaking out of its tree-prison, feeders luring innocent children into danger, a love-interest that is under threat from a more mundane human-evil, a school bully who holds resentment toward Nest, a ghostly dog-wolf whose origins are a mystery, a steelworks strike that is eroding the well-being of the town and causing some to plot drastic action and a dark family secret are all intertwined wonderfully to create a sustained, exciting, poignant story, that ultimately culminates in a darn good read. Every single plot thread, down to a lost kitten, is wrapped up satisfactorily.
There is only one crucial misstep, and that is when the demon is shown as having enough power to instantaneously kill a human being with a simple gesture. By doing so, Brooks infuses the demon with too much power, making later parts of his plan illogical when he stages various ways to rid himself of enemies that involve more elaborate schemes. If he has that much power over life and death, why doesn't he simply eliminate everyone in his way? With this one exception, the story is tightly structured, with the agendas, motivations and goals of both Ross and the demon well-paced and understandable - and with a final twist that's immensely satisfying.
Whereas most of the characters in the "Shannara" series are standard sword-and-sorcery stereotypes (the wise druid, the mystical elf, the winsome love-interest, the gruff dwarf), Brooks presents here a range of three-dimensional characters who interact with each other realistically. Everyone is given a useful part to play within the context of the story and no one bond is given precedence over any other, whether it be the rocky marriage of Nest's grandparents, the tentative bond that forms between John and Nest, the secret but unified force of Nest and Pick, or the warm and bickering nature of Nest's friends Robert, Cass, Brianna and Jared. Everyone acts in the way one would expect from their character, and all come across as sympathetic, likeable, solid characters - ones that you'd like to meet in real life. Nest in particular shines as the confused, conflicted but ultimately brave young heroine, but other standouts are the grouchy Pick and his owl, Nest's befuddled grandfather Old Bob, her no-nonsense grandmother Evelyn, and her loudmouth friend Robert who comes closer than he realises in discovering the truth about Nest.
"Running with the Demon" was followed by two sequels which paled in comparison to the workmanship and characterisation of the first book. Reading this book left me uplifted and thoughtful, the others left me depressed and dissatisfied thanks to sloppy storytelling and the removal of many favourite characters introduced here. My advice is to read "Running with the Demon" as a stand-alone novel, as the sequels really aren't worth the effort.
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